Happy Release Day for Mort Garson’s Plantasia, which sees official release on Sacred Bones Records today. I had the honor of penning the liner notes for this rhododendron-friendly synth jammer and waxed about the plant consciousness of everything from Swamp Thing to Invasion of the Body Snatchers. True roots music. Pick up a copy here and let your mind sprout.
“He was possessed, so vivid and mesmerizing. His voice was so sharp and cutting — sometimes he’d get lost in his screams.”
It’s hard to fully explain just how vital a figure Roky Erickson was for all the weirdos growing up deep in the heart of Texas. Not just as an acid casualty, of someone who went out too far and never quite came back, but just as someone who had to cope with the suffocating conservative culture of Texas and America at large by making gloriously weird music. Has anyone but Roky ever written this many insanely catchy, tangy songs about the Devil? Maybe I didn’t quite understand it then, playing endlessly my cassette copy of You’re Gonna Miss Me, which compiled all of his post-Elevators insanity, or the heartbreaking fragility of Never Say Goodbye, which my friend Craig released at the end of the ’90s (great write-up of that set here), but his life and art –in addition to the capturing the darkness that exists alongside such searches for enlightenment– tells us more about America’s brutal repression of its artists and visionaries than almost anything else.
Roky Erickson remembrance, for Vulture.
“There was frustration and anger and at the same time, that is provoked by consciousness. You’re on the edge because you’re conscious of the fact that things are wrong. We live in a time like that now. There’s a thin line because people are frustrated and unhappy [with] the way that things are going and there’s a very strong sense of neglect. Education is crumbling, health care and economic survival, fascism, racism, we’re right there and it’s washing over us everyday.”
Neneh Cherry on her lifetime of making music amid broken politics, for Vulture.
Recently, The Believer digitized their archives. Which means you can now read about a three-month trek through Thailand, Laos and Cambodia I took back in 2008. Under the influence of the Sublime Frequencies label at the time, I was in part preparing for an interview with Sun City Girls’ Alan Bishop, one of the label’s co-founders. That interview is here and has been anthologized quite a few times. At the same time, I also went in search of molam myself, to slightly disastrous results. Follow along on the map.
“There’s lots of talk about how short life is. And [my song] is how life never stops, how big it is. I have a strong spiritual core, but not that really religious thing.” The Circle Game
“Communicating with people was found to be like suffering judgment. In fact, it was almost impossible for me to dwell upon earthly matters, and equally impossible for me to bring the mind down to mundane thoughts and general conversations.”
Transfiguration and Transcendence: The Music of Alice Coltrane