“Stone Crush” Provides a Definitive Introduction to Modern Memphis Soul

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“You look at early rock ‘n’ roll, rockabilly, soul music, there were hundreds and hundreds of small labels in Memphis that were saying ‘why not me?’ Of course, there are hundreds of reasons for ‘Why not them,’ but they still persevered and cut a record.” Deep into the Mississippi mud of a Singing Dentist, a future prophetess boogie-fying Pigmeat Markham’s “Order in the Court,” and Gutbucket Chic, this is a great comp for fans of Dâm-Funk, PPU, and the like.

Stone Crush: Memphis Modern Soul 1977-1987 for Bandcamp

Vin Du Select Qualitite

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“I try to look at these records as collaborations between the label and the musicians. We have no interns, I pack every order, I answer every email, I try to take as much pride in the daily operations as I do the grand picture.” Exploring eclectic, trailblazing guitar soli in the 21st century (inspired by Johnny Smith, John Fahey, punk, and noise) with the Vin Du Select Qualitite label.

VDSQ Brings a Punk Aesthetic to Acoustic Music for Bandcamp

A Guide to Al Green Deep Cuts

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“Al Green made seriously sensuous music, but the fascinating, evergreen quality of it all is in how he embraces and wrestles with both the carnal and spiritual manifestations of love. The friction between the sacred and profane can be heard in nearly every note, alluring and manic in equal measure. Al Green is as suave and silken as he is shattered.”

A Guide to the Essential Al Green Deep Cuts for Bandcamp

Mayo Thompson

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“Me, I go with the contradictions. That’s what I’m interested in. That’s where the action is.” On the occasion of his recent string of concerts performing his lone solo album, Corky’s Debt to his Father, a feature on Mayo Thompson’s long, strange trip through Texas psychedelia, British post-punk and art-rock, Chicago post-rock, and more. For Texas Monthly.